ブックタイトルRILAS 早稲田大学総合人文科学研究センター研究誌

概要

RILAS 早稲田大学総合人文科学研究センター研究誌

WASEDA RILAS JOURNALmasp: The Persian Book of King’s, New York/ London,2014.Ergin (2013): Ergin, Nina,“Rock Faces , Opium and Wine :Speculations on the Original Viewing Context of PersianateManuscripts,”Der Islam 90-1 (2013), pp. 65-105.Esin (1963): Esin, E,“Two Miniatures from the Collectionsof Topkapi,”Ars Orientalis 5 (1963), pp. 141-161.Ettinghausen (1962): Ettinghausen, Richard, Arab Painting,Cleveland, 1962.Gray & Godard (1956): Gray, Basil. & Godard, Andre, Iran:Persian Miniatures ? Imperial Library (Unesco world artseries, 6), New York, 1956.Gray (1961): Gray, Basil, Persian Painting, Ohio, 1961.Grube (1968): Grube, Ernst J, The Classical Style in IslamicPainting, s.l., 1968.Hillenbrand (2010): Hillenbrand, Robert,“Exploring aNeglected Masterpiece: The Gulistan Shahnama of Baysunghur,”IranianStudies 43-1 (2010), pp. 97-126.?ps?iro?lu (1964): ?ps?iro?lu, M.?, Saray-Alben : Diez’scheKlebebande aus den Berliner Sammlungen, Wiesbaden,1964.Kadoi (2009): Kadoi, Yuka, Islamic Chinoiserie : The Art ofMongol Iran, Edinburgh, 2009.Lentz (1985): Lentz, T. W, Painting at Heart underB?ysunghur ibn Sh?hrukh, Cambridge, Mass., 1985.Loehr (1954): Loehr, Max,“The Chinese Elements in theIstanbul Miniatures,”Ars Orientalis 1 (1954), pp. 85-89.O’Kane (1991): O’Kane, Bernard,“Rock Faces and RockFigures in Persian Painting,”Islamic Art 4 (1991), pp.219-46.O’Kane (2003): O’Kane, Bernard, Early Persian Painting:Kalila and Dimna Manuscripts of the Late Fourteenth Century,London/ New York, 2003.Rogers (1986): Rogers, J.M, Topkapi Sarayi : Manuscrits etMiniatures, Paris, 1986.Schroeder (1939): Schroeder, Eric,“Ahmed Musa andShams al-D?n: A Review of Fourteenth Century Painting,”Ars Islamica 6 (1939), pp. 113-142.Sims (1974): Sims, Eleanor,“The Timurid Imperial Style:Its Origins and Diffusion,”Art and Archaelogy ResearchPapers 6 (1974), pp. 56-67.Sims (1992): Sims, Eleanor,“The Illustrated Manuscripts ofFirdaus?’s“Sh?hn?ma”Commissioned by Princes of theHouse of T?m?r,”Ars Orientalis 22 (1992), pp. 43-68.Sims (2002): Sims, Eleanor, Peerless Images: Persian Paintingand its Sources, New Haven/ London, 2002.Soucek (1980): Soucek, P,“The Role of Landscape in IranianPainting to the 15th century,”in Watson, William(ed.), Landscape Style in Asia, (Percival David Foundationof Chinese Art, Colloquies on Art and Archaeology inAsia, No.9), London, 1980, pp. 86-110.Sugimura (1986): Sugimura, Toh, The Encounter of Persiaand China : Research into Cultural Contacts Based on FifteenthCentury Persian Pictorial Materials, Osaka, 1986.オンライン文献(閲覧日2015年5月8日)EIr: Encyclopaedia Iranica, online edition, NewYork, 1996 ff.EIr:“Ah?mad M?s?,”http://www.iranicaonline.org/articles/ahmad-musa-painterEIr:“B?yson?or? ??h-n?ma,”http://www.iranicaonline.org/articles/baysongori-sah-nama邦語文献王(1995):王耀庭、桑童益訳『中国絵画のみかた』二玄社、1995年小川(2008):小川裕充『臥遊:中国山水画-その世界』中央公論美術出版、2008年草薙(1993):草薙奈津子訳『芥子園画伝:東洋画の描き方』芸艸堂、1993年バルトルシャイティス(1985):ユルジス・バルトルシャイティス、西野嘉章訳『幻想の中世:ゴシック美術における古代と異国趣味』リブロポート、1985年三井文庫三井記念美術館(2014):三井文庫三井記念美術館編『東山御物の美-足利将軍家の至宝-』三井文庫三井記念美術館、2014年ヤマンラール(2000):ヤマンラール水野美奈子「太湖石からサズ葉文様への系譜」『オリエント』43-1 (2000), pp. 71-88.図版出典図版は以下の出典から借用したが、オンラインでも閲覧可能な画像はURLを参照されたい。(閲覧日2015年5月8日)【図1】Brend (2010), p. 55, pl. 35. http://shahnama.caret.cam.ac.uk/new/jnama/card/ceillustration:244692691【図2】Canby (2014), p. 111. http://shahnama.caret.190